Olga Neuwirth’s new opera, “Monster’s Paradise,” leans into the absurd to examine the phenomenon of the strongman leader (with added zombies).
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Opera is waging a battle to save itself in the modern world — and against self-inflicted wounds
Jonas Kaufmann will no longer sing at London’s Royal Opera House — because, of all things, the pay is too low. “I don’t know ...
Every few years, you'll hear a familiar refrain: "Opera is dying." ...
A white woman and a woman she enslaved joined forces to spy on the Confederate White House. A Virginia Opera production, ...
The premiere of Kevin Puts' newly revised work pulsates with power from such singers as Sylvia D'Eramo and Miles Mykkanen as ...
On Jan. 24 at St. Andrews River Heights United Church (255 Oak St.), Fraser will be a first-time performer at Opera Idol, an ...
The New Republic on MSNOpinion
Trump’s Too Dumb to Know It, but Philip Glass’s Opera Is About Him
Donald Trump responded to Philip Glass’s withdrawal of his Lincoln symphony from the Kennedy Center the way he usually does ...
Who gets the $30 million endowment? What's going on with the shared orchestra? “We have a very large legal team," says the ...
Boris Godunov at Royal Opera: Psychologically probing Russian epic - 4/5 Richard Jones’ staging of Mussorgsky’s opera ...
Opera's latest update brings all sorts of organizational updates to its One browser, alongside contextual AI that enhances features related to data you share.
This is a particularly good season for classical music on the Front Range, driven by a host of top-notch, nationally known ...
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